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Transcript

Music Find Its Voice with Brandon Ellrich

A recording from Margaret Williams, MS, ACC's live video

Ellrich Unraveling


Talking Points

Every musician knows the moment.

The day you stop trying to sound like someone else and finally hear what only you sound like.

That moment is not just for singers. It is for every leader, every creative, every person who has ever been told to be quieter, smoother, smaller, or more like someone they are not.

Tonight, we are talking about the moment your voice, your real one, finds its way to the surface.

“What is the song you are too afraid to sing in front of anyone?”


1. Your voice is not your style. It is your truth set to sound.

Style is something you can copy.

Voice is something only you can carry.

Style asks: What do they want to hear?

Voice asks: What is mine to say?

• Style is choreography.

• Voice is breath.

• Style fades. Voice deepens.

“Your voice is not what you sound like. It is what only you can sound like.”


2. You cannot find your voice by imitating other voices

Most leaders, like most musicians, begin in mimicry. They study the greats. They borrow cadence, rhythm, and phrasing. That is normal—and necessary.

But you cannot stay there.

At some point, you must put down the cover song and ask:

• What do I actually sound like when no one is grading me?

• What do I want to say that no one else is saying?

• What is the note in me that has been waiting decades to be heard?

“You cannot become an original by perfecting your imitation.”

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3. Voice has a signature, and a signature requires honesty

Every great voice has a signature. A way of bending notes, breaking lines, leaning into truth.

Signature is not perfection. Signature is the way your specific life moves through your specific instrument.

• It is shaped by what you have lived.

• It is shaped by what you have survived.

• It is shaped by what you refuse to lie about anymore.

This is why you cannot find your voice while still hiding pieces of who you are. The hiding flattens the signature.

Your wound is not the obstacle to your voice. It is part of the texture of it.”

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4. The world does not need more covers. It needs more originals.

Especially for marginalized leaders, you have been rewarded for years for sounding like the people who came before you. Polished. Acceptable. Familiar.

And it has cost you the most precious thing you have: your distinctive sound.

• The world does not need another version of someone already in the room.

• The world is waiting for the voice that only you carry.

• Your originality is not a risk. It is the assignment.

“Where in your leadership are you still doing a cover when an original is what is needed?”


5. Practice is not performance. It is the way the voice arrives.

Voice does not appear all at once.

It is built in private, often clumsily.

• In the early drafts, no one will read.

• In the conversations you have alone with yourself in the car.

• In the writing, you do badly until it gets honest.

If you are waiting to sound polished before you sound like yourself, your voice will never arrive. The voice is built by using it.

“You cannot wait until your voice is perfect. You have to use it until it becomes yours.”


6. Your voice will scare you before it serves you

The first time you hear your real voice, it will not feel comfortable.

It may feel:

• too loud

• too tender

• too clear

• too much like the truth you have been protecting people from

That is not a sign you are wrong. That is the sound of an instrument finally being tuned to itself.

If your voice doesn’t scare you a little, it’s not actually yours yet.”


7. When music finds its voice, it changes the room

Music shifts atmospheres. So do leaders who find their voice.

Notice what happens when one person finally tells the truth in their real frequency:

• the room exhales

• other people remember they have voices too

• the unspoken becomes speakable

• the culture of the room changes—not because you forced it, but because you stopped hiding

A voice in tune with itself is permission for everyone in the room to come back to their own.”


Closing Reflection

This week, ask yourself:

• What does my real voice sound like when no one is grading me?

• Where am I still performing a cover that the world has heard a thousand times?

• What is the song only I can sing, and what is it costing the room when I refuse to sing it?

Your voice is not waiting to be discovered.

It is waiting to be used.


Call to Action

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Thank you The Bathrobe Guy (Robes) 👘, Jason Gael, Mandy Ohman, Ginger Cook (GC) and many others for tuning into my live video with Brandon Ellrich! Join me for my next live video in the app.

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